Refine the SELECTED kabuki-and-whitewood watercolor, using the two attached photographs only for adult male actor costumes, wigs and kumadori makeup. The current figures are too static: turn their actions into a thrilling, believable KABUKI DANCE DUET. Preserve this same pale graphite-and-watercolor technique, the exact serpentine canal and near-white hinoki wood, blue water, FOUR paper boats, gold sluice and fine gold pole, translucent blue-lavender strata, distant scenery, white paper and full 1536x1024 composition. Change the TWO ACTORS and only the small areas their new poses uncover.

LEFT: adult male white-lion kabuki actor, abundant very long ivory-white wig, red/black kumadori, charcoal/navy/gold brocade and ivory-gold hakama matching photo 1. Capture a dynamic pivoting hop at the upper-left inlet: one foot lands on the original bank while the other knee bends and the foot lifts clearly into the air; torso twists toward the gold sluice, one hand visibly turns its top handle. The free arm extends outward in a sweeping dance gesture. The long white mane whips into a graceful arc to the left and upward, with fine individual strands and pale translucent edges; wide sleeves and hakama fly with the same momentum. A powerful concentrated male face, not an old man or geisha. Clearly dancing, NOT merely leaning over as a maintenance worker.

RIGHT: adult male aragoto kabuki actor in recognizable muted RED floral/gold outer kimono and PURPLE/IVORY patterned lower costume, sculpted black wig, white face with red kumadori as photo 2. Capture a spirited lateral dance leap beside the lower-right channel: one bent leg supports him on the bank, the other white-tabi foot is visibly lifted behind/to the side; torso in a strong diagonal twist, purple folds and red sleeves flare into a fan-shaped gesture. One hand holds the EXISTING thin gold pole so its TIP STILL TOUCHES THE SAME nearest paper boat. The free hand opens in an expressive kabuki mie gesture. The pole must read as a precise steering contact, not a sword or random stick. Masculine adult face.

Both performers must be anatomically plausible, fully inside frame, visibly airborne in their lifted feet, with hair and cloth conveying a frozen instant of dance. They remain part of the landscape, not giant pasted photographs. Match the refined realistic graphite modeling, pale translucent watercolor and limited saturation of the existing art; soft vermilion and smoky violet remain readable against the cool blue river. Maintain ample white negative space above the middle. Give the scene the drama and rhythm of a kabuki performance THROUGH BODY GESTURE, not a dark stage or added scenery. NO stage curtains, audience, text, extra people, props, motion streaks, speed lines, new boats or recolored water. Do not restore stone walls: retain pearly near-white timber with fine grain and joinery. Preserve all non-person details as closely as possible.