Edit the selected 1536x1024 watercolor painting, ONLY the RIGHT actor's costume and wig. Keep the original image composition, scale, position, white background, pale blue/lavender translucent terrain, white timber canal, four paper boats, left white-haired actor, his corrected gaze, and all surrounding landscape exactly unchanged. This is a surgical costume correction, not a new scene.

Use the two attached photographs as precise costume references, not as composition references. The right figure is a MALE aragoto kabuki actor. Replace his floral robe entirely with a vivid solid SCARLET red kimono: plain unpatterned red sleeves and body, with restrained GOLD circular crests/ornaments ONLY at the shoulders, like the small landscape reference photo. No flowers, no blossom print, no all-over gold pattern. Keep the existing purple-and-white diamond-patterned lower garment and poised moving stance.

WIG, critical: use the exact 五本車鬢 (gohon kurumabin) structure in the tall portrait reference. On EACH side of the temples, FIVE separately readable rigid BLACK rolled locks project sideways like five stacked spokes. Five distinct tiers, clearly separated by light gaps; curl their tips slightly upward. A masculine swept central topknot and high exposed forehead. NO smooth round female chignon, NO geisha bun, NO hairpin. Keep the head tilted DOWN AND LEFT, eyes visibly tracking the nearest paper boat at the tip of his pole. Preserve male white face and red/black kumadori.

Add a substantial authentic 仁王襷 (Nio tasuki): extraordinarily THICK twisted PURPLE AND IVORY ropes crossing over BOTH shoulders and forming large projecting loops behind his upper back, as in BOTH references. The rope must read as a three-dimensional oversized rope harness, not thin ribbon, scarf, decorative hair, or normal obi. Keep it entirely within the canvas. It may expand into adjacent white space behind his shoulders, without covering his face or head locks.

Maintain precisely the original hand positions: lower hand holding the long golden pole aimed down-left at the nearest boat, other hand open in a dramatic gesture. Do not copy the sword, raised arm, giant white vest, armor, stage or other performers from the reference photographs. No new text or symbols. Render the new actor in the SAME delicate realistic graphite-and-watercolor technique as the painting; accurate anatomy, muted translucent pigment and subtle paper grain. The scarlet is the strongest local color but still painterly, not a pasted photographic cutout. Preserve all boats and water details and the left actor completely. High precision limited edit.

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Surgical refinement of the RIGHT actor only. The last edit is nearly correct. Fix exactly these remaining defects, retaining every other pixel/layout as closely as possible:
1. Remove ALL residual blossom patterns and ghosted circular flower shadows from the scarlet robe, especially both hanging sleeves and torso. Replace with completely plain unpatterned scarlet watercolor cloth, only realistic folds, light and shadow. The ONLY gold decoration is the existing small shoulder crests. No tone-on-tone flowers, brocade, rosettes, round shadows or patterns on sleeves.
2. Remove the small round top bun and the horizontal brown hairpin at the top of his head. Use a masculine aragoto central swept vertical topknot integrated into the black wig, like the traditional 五本車鬢. Keep FIVE black rolled temple locks/spokes on EACH side, cleanly separated and countable, with slightly upcurled tips. The original woman-style round bun must disappear completely. Keep the face turned downward-left and the eyes focused on the boat at the pole tip.
Preserve the excellent huge purple-and-ivory Nio tasuki ropes, the white/red/black male kumadori face, purple/white lower garment, body size, hands, golden pole and stance. Preserve all four boats, timber canal, entire left actor and all watercolor landscape. Same delicate pale graphite/watercolor, no text, no composition change. Only correct the sleeve fabric and central wig.

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この水彩画の歌舞伎役者の衣装と髪だけを精密に修正してください。構図、顔の位置、下向き左の視線、手、金の竿、脚、背景はそのままです。
最重要：着物の赤い部分を完全な無地の真紅の布へ描き直す。現在、袖に大きな丸い花の薄い模様がまだ残っています。それらを全て消す。袖の表面には自然な布の折り目と陰影だけを描く。胸も袖も裾も赤一色、模様なし。肩の小さな金の紋だけは残す。
髪は添付写真の五本車鬢にする。左右それぞれ五本の黒い太い筒状の鬢が、こめかみから横方向へ五段に張り出す。左右両側とも五本、房の間に白い隙間。現在画面左に四本しか見えないので五本に直す。房は人工の棒ではなく、油で整えた黒髪の束として描く。頭頂の横向きの茶色いかんざしを完全に消す。尖った炎のような頭頂の形は避け、添付写真の男性的な中央の結髪へ描き直す。女性の丸髷・かんざしにはしない。顔の視線は元の下向き左、竿先へ。
紫白の極太の仁王襷は素晴らしいので、その量感と位置をそのまま保つ。赤い着物の位置、大きさ、両手の位置、顔の位置、紫白の下衣、脚、背景、水路、金の竿は変えない。精緻で写実的な薄い鉛筆と水彩のタッチを保つ。写真の鎧・白い大きな上着・刀・舞台は取り入れない。文字を追加しない。Only paint over the unwanted floral fabric with plain scarlet cloth, and correct the black hair. Keep anatomical pose and framing exactly unchanged.

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髪の房の本数だけを直してください。現在は画面左に4本、画面右にも4本の黒い筒状の房しか見えません。五本車鬢なので、両側に必ず5本ずつ必要です。左のこめかみの一番下に黒い房を1本追加し、右のこめかみの一番下にも黒い房を1本追加してください。既存の4本はそのままで、それぞれの最下段のすぐ下に5本目を描く。全部で10本。房は各々独立し、横に伸び、間に明るい隙間があり、小さくても数えられる。頬は隠さない。ほかのすべては変更禁止：顔と下向き左の視線、頭頂の結髪、無地の赤い着物と肩の金紋、太い紫白の仁王襷、手、竿、背景、画角と位置と大きさ。構図を動かさない。Only add one lowest black rolled temple lock on each side so that FIVE are visibly countable per side. Keep the existing four locks on each side and every other detail, position, scale, color, pixel as unchanged as possible.

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Correct ONLY the actor's forehead and upper head proportions. This must look like a real adult Japanese male human performing kabuki under makeup and a wig, not an elongated alien head. The exposed white forehead is currently much too tall. SHORTEN its vertical height by roughly one third: bring the black hairline DOWN toward the brows, and lower/compress the crown of the skull and central topknot so the distance from eyes to the anatomical crown (excluding topknot) is naturally close to the distance from eyes to chin. Keep a convincingly human skull, not a huge tall white dome. Keep the eyes, nose, mouth and chin in their existing positions, keep his gaze DOWN-LEFT toward the boat/pole. Retain strong male red/black kumadori. Preserve FIVE clearly separated black rolled temple locks on EACH side (ten total), attached naturally to the now-shorter upper head. Preserve masculine central knot, no female bun or hairpin. Maintain existing black hair texture and delicate realistic watercolor. Do not change the body, plain scarlet robe, gold shoulder crests, thick purple/ivory Nio tasuki, hands, pose, pole, purple lower garment, background, composition or framing. No new objects. Surgical human facial proportion correction only.